by Andrew McDonald
The
opening of Caryl M. Stern’s I Believe in Zero
feels like the opening of a TV show you’d find on AMC during their peak Breaking Bad-era. She recounts her
experience of meeting Rosa, a new mother in Mozambique, who informs Stern that
this child is the “first one that survived.”
And
with that, the book begins.
I Believe in Zero by Caryl M. Stern Photo Credit: UNICEF |
Stern’s
recounting of her time with UNICEF
is a powerful, emotional journey that will leave you feeling both cathartic and
exhausted by the end of each chapter, which, essentially, function as episodes
(going back to my TV show analogy). Stern’s writing is clear and deliberate.
She tells her story with relative ease and grace, skimming over details that
aren’t as impactful and really drawing the action and emotion when the moment
calls for it.
I
keep brining up the similarities between her writing and good TV, because,
well, her writing is incredibly cinematic. When she describes a new
environment, I not only pictured it in my mind, but I could smell the air, feel
the weather and environment. I choked up several times, but none so much as the
initial encounter with Rosa, whose story only gets more harrowing the more you
read.
"But does she cook meth?...Didn't think so." Photo Credit: AMC |
Overall,
I would definitely recommend I Believe in
Zero to anyone who enjoys a cinematic storytelling style of nonfiction. I
would never have considered myself a fan of this kind of book before reading
it, but, if it’s good, it’s good, and I Believe in Zero has made me a believer.
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